Based on this post, I got and am almost through the novel and have to agree. It is rather amazing lyrical writing and conveys what loss in war, combat, and PTSD must really be like. There may not be a surfeit of plot but in the open spaces the reader’s own imagination works. One can see Hemingway’s influence, positively, but it’s no imitation—Richard Gilbert
The Rose Metal Press Guide to Writing Flash Nonfiction: Advice and Essential Exercises from Respected Writers, Editors, and Teachers edited by Dinty W. Moore. Rose Metal Press, 179 pp. They furnished off an apartment with a two-room Roebuck sale The coolerator was crammed with TV dinners and ginger ale But when Pierre found work the little money coming worked out well C’est la vie, say the old folks, it goes to show you never can tell —Chuck Berry, “You Never …
My “Wild Ducks,” a braided memoir, appears in River Teeth. The past few years, working on my memoir of farming in Appalachia, I’ve generated tons of material—twice, 500 pages—and have spun some passages into stand-alone pieces. The published ones include an essay on my hired hand who died; another about a legendary pond-builder with a tragic secret; one about the historic first meeting of my future wife and my father; yet another about my father’s return to farming in retirement …
David Levithan wrote his new book for teens, but snagged adult imagination, too. Every Day by David Levithan Alfred A. Knopf/Random House Children’s Books, 336 pp., $16.99. Guest Review by Lanie Tankard In uncertain times, we cling to the power of myth.—Bill Moyers Archetypes of myth have undergirded many a tale enjoyed by readers of all ages. Certainly George Lukas understood the power of myth when he created Star Wars. Lukas was greatly influenced by Joseph Campbell’s book, The Hero …
Salman Rushdie on the novel’s debt to memoir, memoir’s debt to New Journalism—and why the novel is harder than either. The foment over Salman Rushdie’s new memoir led me in a roundabout way to interviews with him on YouTube. One of the best is the long talk above, recorded at Emory University, when he was in the midst of writing Joseph Anton—apparently he wrote some of it there—because he drills into memoir’s granular issues. I got the sense in this …