This is the first paragraph of Anthony Lane’s review in this week’s New Yorker: When someone reboots a film franchise, as the makers of “The Amazing Spider-Man” have done, what are we meant to think of the original boot? The first “Spider-Man” came out in 2002, followed by its obligatory sequels in 2004 and 2007. If you are a twenty-year-old male of unvarnished social aptitude, those movies will seem like much-loved classics that have eaten up half your lifetime. They …