Archive for October, 2010

Virginia Woolf on a writer’s education

October 31, 2010 | 7 Comments

“. . . [A] writer’s education is so much less definite than other educations. Reading, listening, talking, travel, leisure—many different things it seems are mixed together. Life and books must be shaken and taken in the right proportions.” “Let us always remember—influences are infinitely numerous; writers are infinitely sensitive.” And: “If you do not tell the truth about yourself you cannot tell it about other people.” “A writer is a person who sits at a desk and keeps his eye …

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For teachers & kind souls elsewhere

October 26, 2010 | 9 Comments

“Ideals and opportunities and social theorizing are just fine, but if you must understand only one thing, it is this: a warm hand and words whispered into the ear are what we want. Paths that can be seen and followed and walked upon are what we most need. “And in the end, the thing that feeds us, no matter how tenuous, is what we will reach for.” This excerpt is from Ghostbread, a memoir by Sonja Livingston. University of Georgia …

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Authenticity & imagination in memoir

October 22, 2010 | 5 Comments

In an interview with Faye Rapoport DesPres in The Writer’s Chronicle (October/November 2010), Michael Steinberg, the founder of the journal Fourth Genre: Explorations in Nonfiction and author of the memoir Still Pitching, ­discusses how successful memoirs and memoirists work. Steinberg exhaustively researched baseball, New York, and period histories of the 1950s for his memoir, but also used imagination as a tool to return himself to his lost boyhood. Some excerpts of Steinberg’s comments: Right now, creative nonfiction is a hotly …

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Can journalism schools teach narrative?

October 17, 2010 | 6 Comments

Narrative nonfiction is risky; it has to be grabby, telling, and true. To bear analytical weight, it has to be almost frighteningly shrewd.—Jill Lepore, The New Yorker (September 6, 2010) What is journalism? How does one teach this thing you have so defined? I haven’t an answer to either question, but that places me in good company because I think most journalism schools haven’t had a clue, at least concerning the best way to educate their students as writers. With …

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A novel on memory, story & alibi

October 13, 2010 | 4 Comments

A colleague here at Otterbein University, Noam Shpancer, a psychologist, has just hit the big time at age fifty-one with his first novel, The Good Psychologist. Early reviews are positive to raves: Kirkus gave it a starred notice, Alan Cheuse reviewed it on NPR, and the Boston Globe called it “extraordinary” and “a rare gift.” Bought by Henry Holt at an auction conducted by Noam’s agent, the story is about a therapist who’s treating a stripper with stage fright. And it’s about the …

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Interview: Daiva Markelis on memoir

October 8, 2010 | 8 Comments

Daiva Markelis, a professor at Eastern Illinois University who blogs at The Adventures of Mighty Bear Woman, answered some questions for Narrative about her memoir, White Field, Black Sheep: A Lithuanian-American Life, reviewed in my last post. RSG: The first thing I noticed about your book was your easy, seemingly natural voice. Was finding this consistent, personal voice easy or difficult? DM: I belong to a writing group–the Eastern Illinois University Writer Babes; the babes are great at pointing out …

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Review: ‘White Field, Black Sheep’

October 4, 2010 | 5 Comments

White Field, Black Sheep: A Lithuanian-American Life by Daiva Markelis. University of Chicago Press, 208 pages Daiva Markelis grew up in industrial Cicero, Illinois, a Chicago suburb, the first of two daughters born to a Lithuanian couple. Her parents had immigrated because of the Soviet occupation of Lithuania, and they yearned their whole lives to return. They were officially “Displaced Persons,” a category for European refugees who fled communism, although Markelis didn’t understand for many years her parents’ plight. The …

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