Writing about a dog’s death, or even a dead dog, risks sentimentality. I mean, the writer seeking from readers emotion he hasn’t earned. I must like the animal sub-genre of dog deaths, though, because I’ve read so many. And, as my previous posts have explained, I’ve just written an essay concerning my late Labrador, Tess. I realized, writing it, that I should take the advice I’ve given so many freshmen students trying to write about a recently dead grandparent.
“Show readers, in scenes and details, your grandparent,” I’ve told them. “You must convey in specifics what you lost to show the world what it lost.” The “world” is grand shorthand for unknown readers, of course. Which in those cases actually is always me and a few peers. We’re the kindly stand-ins for those uncaring readers whose armor the writer must crack. It’s best to think of readers as friends, actually.
But to have a chance of moving readers emotionally, the writer must recreate a singular, not a generic, beloved. The writer must not just summarize what s/he experienced but, as a rule, be specific regarding the remembered gifts of time, talk, and events. This can be hard with a dog, or at least with its middle years, just as with a person. We remember beginnings and endings. I’ve stolen this notion from Jill Christman’s spooky little essay, with an aside on that phenomenon, “Family Portrait: in Third Person,” in superstition [review].
Maybe we remember and can depict the start and end of something because we return so easily to those emotional states. As Virginia Woolf says in “A Sketch of the Past,” strong emotion must leave a trace. But long middle acts blur in literature as in life. Many situations, and therefore emotions, were in play. You remember the day you got the puppy, remember who you were. There’s a snapshot in your mind. In my case, of a bearded newspaper reporter with hair like Elvis, dashing hectically—and heroically, he thought—around at age 26,. And you remember the end of something, when time briefly stopped. In my case, as a book publisher and father of two, age 39 and bald, with a creaky back.