Draft No. 4

Dillard’s ‘For the Time Being’

January 26, 2009 | 6 Comments

In this audacious little book Annie Dillard ponders God, the holiness of newborns, and any individual’s insignificance in geologic time. Her prose is astringent, with wry appreciation for the brilliant and for the genuine among us; with a barely controlled horror at our dillard-for-the-timeanimal fates and our capacity for indifference and evil. She unfolds this meditation in discrete chunks; each of the book’s seven chapters is divided into segments.

Her prose is distilled, the reside of rigor. In the holy land she spies birds mate in the air and snails, for hours, in wet litter. A Palestinian boy pees his name in the sand behind a camel. She writes, “Under the camel a runnel moved over the dust like an adder.” In China she watches in the distance a man pulling a plow he’s harnessed to his body: “His feet trod his figure’s blue shadow, and the plow cut a long blue shadow in the field. He turned back as if to check the furrow, or as if he heard a call.”

Grounding her juxtapositions in the jaw-droppers we’re normally immune to—over eight million gene combinations occur in the creation of each of us; it takes a river one million years to move a grain of sand one hundred miles; there are nine galaxies for each person alive on earth, and each galaxy contains one hundred billion suns—in stories and in our own cast-off insights from age twelve onward, Dillard earns her flights and even her despair. Reared a Pittsburgh Scotch-Irish Presbyterian girl, she converted to Catholicism, taking refuge in the yeasty anonymity of the corporeal mass, then absorbed the Jewish mysticism explored here and finally called herself a “Hasidic Christian.”

In this book she wonders: just what kind of God are we dealing with, anyway?

[Read More]

Truth and beauty

January 20, 2009 | No Comments

I’ve touched before on the issue of truth in nonfiction, but the latest scandal, involving a fictionalized Holocaust memoir, impels me to return. (Oprah keeps falling for these stories that are too good to be true. Truth often is stranger than fiction but it’s seldom as shapely.) I tell students these are three reasons for honesty: • Practical: A nonfiction writer will destroy his credibility and career by lying. This is an embarrassing reason, as it’s so utilitarian, but perhaps …

[Read More]

Noted: Annie Proulx

December 27, 2008 | No Comments

from an interview in The Missouri Review, Vol. XXII, No. 2 “The research is ongoing and my great pleasure. Since geography and  climate are intensely interesting to me, much time goes into the close examination of specific regions—natural features of the landscape, human marks on it, earlier and prevailing economics based on raw materials, ethnic background of settlers. I read manuals of work and repair, books of manners, dictionaries of slang, city directories, lists of occupational titles, geology, regional weather, …

[Read More]

Noted: Tony Earley

December 21, 2008 | One Comment

from an interview with Tony Earley conducted by Hattie Fletcher for Nidus “I can’t write any piece, fiction or nonfiction, until I come up with a metaphor. I hate the idea of writing on only one level. Often just walking around through the world, I’ll see something and think, damn, that is a great metaphor—for what? And so I have a metaphor, but I have no thing to hook it to. And so, a piece usually results when I find …

[Read More]

Do readers see the constraints?

December 16, 2008 | One Comment

Solstice musings on poetry & nonfiction & Mom’s Christmas letter. When I read poems and when I (rarely) write them, I’m apt to think This is an essay! When poets gave up rhyme and meter, they exposed the fact that poetry and creative nonfiction can be one in the same, though poets are free to fictionalize. (Long ago I was taught the only definition of poetry is that the poet controls the length of his line.) The similarity does not …

[Read More]

Melville’s thematic fluidity

November 30, 2008 | One Comment

This is a guest post by Tom Gilbert, my son, a college sophomore majoring in philosophy and film. “To write a mighty book you must choose a mighty theme.” –Herman Melville, Moby-Dick “Everyone knows I’m not a folk singer,” says Jude Quinn/Cate Blanchett/Bob Dylan at the end of I’m Not There, and I might have taken that a little easier if it was said to a superimposed LBJ or questioning reporter. But as it stood, right into the camera, with …

[Read More]

Michael Pollan on narrative journalism

November 28, 2008 | 4 Comments

From Michael Pollan’s comments in Nieman Narrative Digest: “Journalists often write as people who have mastered subjects and are telling you about them. That’s a real turn-off for readers. In my work I often begin as a naif. It’s a good place to start because it’s a lot closer to where your reader is. Instead of starting as someone who knows the answers, you begin as someone learning about something. That’s a good way to connect with readers. “I often …

[Read More]