craft, technique

John McPhee discusses chronological structure

February 13, 2013 | 28 Comments

Chronology is useful but hostile to thematic content, the writer says. You can build a structure in such a way that it causes people to want to keep turning pages. A compelling structure in nonfiction can have an attracting effect analogous to a story line in fiction.—John McPhee, in The New Yorker “There’s nothing wrong with a chronological structure,” McPhee explains in a recent New Yorker essay. “On tablets in Babylonia, most pieces were written that way, and nearly all …

[Read More]

Richard Russo’s ‘Elsewhere’

February 4, 2013 | 20 Comments

Review: Narrative risks & rewards in a talky memoir about Mom. “You do know your mother’s nuts, right?”—Russo’s father to him when he was twenty. Elsewhere by Richard Russo. Knopf, 243 pp. Rather dense, slow-moving, and expository, Elsewhere isn’t a memoir I’d make students read. Smoothly written, interestingly structured, a complex portrait of mental illness, love, and lower middle class life in a wretched town, Elsewhere is a book I’d recommend, with caveats, to adults. They must be serious readers, …

[Read More]

Woolf’s ‘A Room of One’s Own’

January 17, 2013 | 29 Comments

Storytelling & spirituality in Virginia Woolf’s classic feminist text. Intellectual freedom depends upon material things. Poetry depends upon intellectual freedom. And women have always been poor, not for two hundred years merely, but from the beginning of time.—A Room of One’s Own A Room of One’s Own by Virginia Woolf. Harcourt, 112 pp. I forgot to bring to the beach Virginia Woolf’s The Waves, a lamentable oversight with the Atlantic surf hissing and breaking outside. Sometimes I feel almost frightened by …

[Read More]

Emily Rapp’s satisfying memoir

November 18, 2012 | 14 Comments

Her tale of physical disability depicts an inner transformation. Poster Child: A Memoir by Emily Rapp. Bloomsbury, 226 pp. This semester my freshman honors students and I have read six memoirs and Sven Birkerts’s The Art of Time in Memoir (reviewed) in my themed composition class, “Tales of Dangerous Youth.” As with novels, coming of age stories are common in memoir. It has pleased me to see students who hadn’t read a memoir, or who had read one bad one, …

[Read More]

A new flash nonfiction manual

October 21, 2012 | 14 Comments

The Rose Metal Press Guide to Writing Flash Nonfiction: Advice and Essential Exercises from Respected Writers, Editors, and Teachers edited by Dinty W. Moore. Rose Metal Press, 179 pp. They furnished off an apartment with a two-room Roebuck sale The coolerator was crammed with TV dinners and ginger ale But when Pierre found work the little money coming worked out well C’est la vie, say the old folks, it goes to show you never can tell —Chuck Berry, “You Never …

[Read More]

An essay of the empty nest

October 14, 2012 | 33 Comments

My “Wild Ducks,” a braided memoir, appears in River Teeth. The past few years, working on my memoir of farming in Appalachia, I’ve generated tons of material—twice, 500 pages—and have spun some passages into stand-alone pieces. The published ones include an essay on my hired hand who died; another about a legendary pond-builder with a tragic secret; one about the historic first meeting of my future wife and my father; yet another about my father’s return to farming in retirement …

[Read More]

Memoirist, skin thy own cat

October 5, 2012 | 14 Comments

Salman Rushdie on the novel’s debt to memoir, memoir’s debt to New Journalism—and why the novel is harder than either. The foment over Salman Rushdie’s new memoir led me in a roundabout way to interviews with him on YouTube. One of the best is the long talk above, recorded at Emory University, when he was in the midst of writing Joseph Anton—apparently he wrote some of it there—because he drills into memoir’s granular issues. I got the sense in this …

[Read More]