honesty

Noted: Jonah Lehrer’s downfall

July 31, 2012 | 12 Comments

Yesterday I got around to reading the New York Times Book Review’s full-page massacre of Imagine: How Creativity Works, by Jonah Lehrer, and wished I’d been even more grudging in my own piece touching on the bestseller. Then later in the day the news broke that Lehrer had invented quotes he attributed to Bob Dylan, and I wished I’d mentioned my own reservations about the Dylan material, which appears early in the book. They were these: • Dylan’s use seemed gratuitous in …

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On hating a memoirist

July 28, 2012 | 43 Comments

Another nonfiction issue: judging a book by its author?  I know of nothing more difficult than knowing who you are, and having the courage to share the reasons for the catastrophe of your character with the world.—William Gass As my previous three posts indicate, I admire Cheryl Strayed’s bestselling memoir Wild: From Lost to Found on the Pacific Crest Trail. I devoured it as a reader and also loved how I could raid her techniques for my own memoir. So …

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Cheryl Strayed’s back pages

July 24, 2012 | 7 Comments

How Cheryl Strayed feathers her compelling backstory into Wild. . . . I spun the backstory. I dole it out. The trail is a chronological report of my hike; what came before the trail is not chronological. I give you a scene from when I was seven and then another the year before [the hike]. I worked that pretty hard.—Cheryl Strayed in an interview  The second time through Cheryl Strayed’s Wild: From Lost to Found on the Pacific Crest Trail, …

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My wild summer

July 17, 2012 | 18 Comments

I’m sure it’s no accident that right after reading Wild I got the insight to feather memories of my father throughout my memoir in progress. In previous drafts I’d used a couple of chapters to depict him. Dumb. Especially since, years ago, before I even started writing my book, a wise old editor I told about my farming adventure and how it came in the wake of my father’s serial farming adventures said, “Don’t write a whole chapter on him. Have him appear now and then. Like you’re walking across your pasture and you think of him.”

Cheryl Strayed’s Wild, currently number one on The New York Times nonfiction bestseller list, is long and meaty, a traditional yarn; it feels both nakedly sincere and confident in its unguarded honesty, a book with a lot of heart. Just what I’m aiming for myself. But I couldn’t see how Strayed pulled everything off when I first read it in May, though I did see that she wove in her backstory instead of stopping the narrative with chunks and slabs of Vital Background.

Wild depicts a grueling 1,100-mile solo hike Strayed took, in 1995, from southern California to Oregon, dodging bears and rattlesnakes and reading great literature in her tent at night, burning the pages in the morning in her campfire. She’d grown up outdoors but had never backpacked, not once, until she loaded her pack and tried to lift it just before setting out. She couldn’t pick it up, couldn’t budge it from the floor, having stuffed the large pack with so much that it probably weighed north of seventy pounds. She had to squirm into it on the floor and lift with her legs. And her boots were too small. That’s the strong foreground story, a young woman bent with a physical weight and carrying intolerable emotional baggage.

Her backstory about that baggage includes memories of her abusive father, whom her mother divorced when Strayed was six; of being raised by her hippy-ish back-to-the-land horse-loving mother and a crunchy carpenter stepfather in Minnesota; of suffering through her mother’s illness and unexpectedly quick death from lung cancer at age forty-five, when Strayed was a senior in college; of being devastated by grief and by her subsequent affairs, heroin abuse, and divorce; of her picking that new last name, Strayed; of her impulse when at rock bottom to buy a book on hiking the Pacific Crest Trail, which she’d never heard of and which was thousands of miles to the west of her home in Minneapolis.

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Noted: James Brown on memoir

May 16, 2012 | 7 Comments

James Brown, a creative writing teacher at Cal State-San Bernardino, is author of the celebrated 2003 memoir The Los Angeles Diaries, which was named a “Best Book of the Year” by Publishers Weekly. Brown’s new memoir, This River, is the occasion for an interview with Duff Brenna that appears in the current Writer’s Chronicle. Brown discusses his street-punk background, the “heartbreak and dysfunction” in his family, and the unsafe, outsider feeling that’s never left him. Some excerpts: In memoir, you …

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Luis Urrea’s ‘The Devil’s Highway’

April 12, 2012 | 2 Comments

Poet, memoirist, novelist, short story writer, journalist—Luis Alberto Urrea is the best writer I’d never heard of until I read The Devil’s Highway. Urrea, creative writing professor at the University of Illinois-Chicago, has published thirteen books. A 2005 Pulitzer finalist, The Devil’s Highway is about the suffering and deaths in a group of twenty-six Mexicans who tried to sneak into America through the Arizona desert in May 2001. This tragic incident is deeply and palpably researched and fully imagined.

The book begins with the Border Patrol’s discovery of the dying refugees. At least fourteen of the Mexicans, most of them from Veracruz, a leafy tropical place, died in the desert, sunbaked—as maladapted as gringos to heat over 100 degrees, no shade, their scant water scalding and then gone. This part is written from the point of view of the Border Patrol, the writer having spent much time with its agents and environs. He also met with smugglers and illegals.

One of the book’s impressive feats is that readers experience how each group thinks, jokes, sees the world. Surprisingly for Border Patrol’s image, we see their compassion for Mexicans who risk their lives for the most modest dreams; in their rough way the agents aren’t above playing jokes on them, and call them “tonks,” for the sound a cop’s flashlight makes hitting their heads. But the macho border guards labor daily to save them, too. Rushing to help this group, Urrea reports, they sustain twenty-six flat tires, and some drive on rims.

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Cheryl Strayed on honesty in memoir

April 5, 2012 | 12 Comments

I was an avid journaler all through my twenties and I wrote in my journal every day of my hike, sometimes twice a day. That journal was incredibly helpful to me as I wrote “Wild.” I recorded many details and snippets of dialogue that would otherwise have been lost. Having that document allowed me to correct, corroborate, or expand things I remembered. In some cases, I tracked down people I met on the trail and asked them to share their …

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