honesty

Sue Silverman’s call to memoir

July 18, 2011 | One Comment

Everyone has a story.  And all our voices are important.—Sue William Silverman Melissa Hart on her blog Butt to Chair interviews Sue William Silverman about her latest book, Fearless Confessions: A Writer’s Guide to Memoir. The author of two memoirs, Silverman makes a strong case for a the validity of memoir as a form of confession: We’ve been accused of navel gazing.  The word “confessional” is used in a demeaning way, suggesting that we’re whining or complaining, along those lines. …

[Read More]

Janet Malcolm, ‘Capote’ & ‘Infamous’

May 28, 2011 | 4 Comments

Everyone acknowledges that true stories can never be fully known—too many details lack corroboration, too many witnesses disagree about what really happened.—Jane Smiley, Thirteen Ways of Looking at the Novel   In Cold Blood created a sensation in America in 1966 hard to imagine today. From the start of the 2005 film Capote we see it is a revisionist look at Truman Capote and, to a degree, his blockbuster. Right away, there’s a character tut-tutting about the writer at work. …

[Read More]

Capote’s ‘In Cold Blood’ revisited

May 24, 2011 | 8 Comments

Here’s the evocative, elegiac opening to Truman Capote’s “nonfiction novel” In Cold Blood: The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call “out there.” Some seventy miles east of the Colorado border, the countryside, with its hard blue skies and desert-clear air, has an atmosphere that is rather more Far West than Middle West. The local accent is barbed with a prairie twang, a ranch-hand nasalness, and the men, …

[Read More]

Phillip Lopate on literary nonfiction

April 27, 2011 | 13 Comments

An esteemed essayist and theorist, the editor of The Art of the Personal Essay, Phillip Lopate was interviewed in 2008 by Lania Knight for Poets & Writers Magazine, online version. I just stumbled across it, and it’s well worth reading in its entirety. Some excerpts: Creative nonfiction is somewhat distortedly being characterized as nonfiction that reads like fiction. Why can’t nonfiction be nonfiction? Why does it have to tart itself up and be something else? I make no apologies for …

[Read More]

Review: ‘Half A Life’ memoir

April 4, 2011 | 5 Comments

Darin Strauss’s sad and somber gift to others from his suffering: stunning in its artistry, honesty. Half a Life: A Memoir by Darin Strauss. Random House, 187 pp. Everybody wants life to speak to them with special kindness.—Darin Strauss I was surprised—but pleased—when Darin Strauss’s memoir Half A Life recently won the 2011 National Book Critics Circle award for autobiography. I hadn’t heard much buzz about the book. The judges called it a “brave and heartbreaking account,” placing it ahead of finalists that …

[Read More]

Noted: Honesty & emotion in memoir

February 16, 2011 | 3 Comments

“All memoirs have one thing in common: each book charts the struggle between the subject of the memoir and the self. Almost always the subject is something other than the writer while the self, of course, is the writer.”—Thomas Larson Tom Larson is an author, essayist, and journalist. He’s a generous writing-world friend, one with slightly different taste in memoirs than mine, neither of which negates the fact that he’s a flat-out brilliant theorist of memoir. I favor narrative-driven memoirs, …

[Read More]

Noted: A dark view of memoir

November 28, 2010 | 4 Comments

In a withering New Yorker review this week (November 29’s issue) of George W. Bush’s Decision Points, billed as a memoir, George Packer says, “Very few of its four hundred and ninety-three pages are not self-serving.” But then “every memoir is a tissue of omission and evasion,” he opines. Incidentally, Packer calls Bush’s book sententious: “1. abounding in pithy aphorisms or maxims: a sententious book. 2. given to excessive moralizing; self-righteous,” according to dictionary.com. Interesting how close sententious is to …

[Read More]