metaphor

Shirley Showalter’s ‘Blush’

October 17, 2013 | 22 Comments

Though Shirley means “bright meadow,” fitting for a “plain” (Mennonite) girl growing up in the 1950s and ’60s on a Pennsylvania dairy farm, Shirley Hershey Showalter was actually named after Shirley Temple. The divided roots of her first name epitomize the tensions that animate her memoir, Blush: A Mennonite Girl Meets a Glittering World.

Showalter’s faith community both nurtured and frustrated her as she sought to reconcile its conservative values with her desire for gaudier self-expression. Caught between her plain church and the glittering world, in her discomfort Showalter often blushed. The depiction in the life of a fortunate Mennonite girl of this everlasting human conflict, essentially between communal duties and individual ambition, is what makes her story both universal and timeless.

Showalter has said her riskiest words in Blush are its first:

“Ever since I was little, I wanted to be big. Not just big as in tall, but big as in important, successful, influential. I wanted to be seen and listened to. I wanted to make a splash in the world.”

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Swamped by ‘Infinite Jest’

January 11, 2013 | 13 Comments

On failing to finish David Foster Wallace’s masterpiece novel.   Carry nothing even remotely vegetabalish if in the path of a feral herd. —Infinite Jest To paraphrase Clint Eastwood in Unforgiven, “It’s a terrible thing to quit a book. To take from it less than it has to give.” I don’t believe that about books—we should quit any one that’s not working for us and start another—but David Foster Wallace’s 1,079-page novel Infinite Jest is a special case. And I’ve …

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My wild summer

July 17, 2012 | 18 Comments

I’m sure it’s no accident that right after reading Wild I got the insight to feather memories of my father throughout my memoir in progress. In previous drafts I’d used a couple of chapters to depict him. Dumb. Especially since, years ago, before I even started writing my book, a wise old editor I told about my farming adventure and how it came in the wake of my father’s serial farming adventures said, “Don’t write a whole chapter on him. Have him appear now and then. Like you’re walking across your pasture and you think of him.”

Cheryl Strayed’s Wild, currently number one on The New York Times nonfiction bestseller list, is long and meaty, a traditional yarn; it feels both nakedly sincere and confident in its unguarded honesty, a book with a lot of heart. Just what I’m aiming for myself. But I couldn’t see how Strayed pulled everything off when I first read it in May, though I did see that she wove in her backstory instead of stopping the narrative with chunks and slabs of Vital Background.

Wild depicts a grueling 1,100-mile solo hike Strayed took, in 1995, from southern California to Oregon, dodging bears and rattlesnakes and reading great literature in her tent at night, burning the pages in the morning in her campfire. She’d grown up outdoors but had never backpacked, not once, until she loaded her pack and tried to lift it just before setting out. She couldn’t pick it up, couldn’t budge it from the floor, having stuffed the large pack with so much that it probably weighed north of seventy pounds. She had to squirm into it on the floor and lift with her legs. And her boots were too small. That’s the strong foreground story, a young woman bent with a physical weight and carrying intolerable emotional baggage.

Her backstory about that baggage includes memories of her abusive father, whom her mother divorced when Strayed was six; of being raised by her hippy-ish back-to-the-land horse-loving mother and a crunchy carpenter stepfather in Minnesota; of suffering through her mother’s illness and unexpectedly quick death from lung cancer at age forty-five, when Strayed was a senior in college; of being devastated by grief and by her subsequent affairs, heroin abuse, and divorce; of her picking that new last name, Strayed; of her impulse when at rock bottom to buy a book on hiking the Pacific Crest Trail, which she’d never heard of and which was thousands of miles to the west of her home in Minneapolis.

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Ray Bradbury on Shakespeare

June 10, 2012 | 14 Comments

How long he stood he did not know, but there was a foolish and yet delicious sense of knowing himself as an animal come from the forest, drawn by the fire. He was a thing of brush and liquid eye, of fur and muzzle and hoof, he was a thing of horn and blood that would smell like autumn if you bled it out on the ground. He stood a long long time, listening to the warm crackle of the …

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Lane redux: ‘Tower Heist’ & VOD

November 4, 2011 | 3 Comments

The wit of Anthony Lane, like the sex life of Grace Kelly, is one of those refined but rustic matters that we can admire readily, and dissect in detail, but never really hope to understand. Or emulate, alas. But he’s fun to imitate. Here’s the lead of Prince Anthony’s review of Tower Heist in this week’s New Yorker (November 7): At the risk of invoking Freud, you have to wonder why movie stars are attracted to big, long films about …

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Gail Caldwell 3: more to admire

August 22, 2011 | 8 Comments

I. The way, as I said, that Gail Caldwell employs metaphor in Let’s Take the Long Way Home: A Memoir of Friendship is remarkable. Almost every page includes one. “No, you’re not,” said Caroline, her face as deadpan as a coach’s in a losing season. “No, you’re not. Keep your hands together. Stay still—don’t look at the water, look at your hands. Now look at me.” The voice consoled and instructed long enough for me to straighten into position, and …

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More metaphors & Gail Caldwell

August 11, 2011 | 5 Comments

Still thinking about Gail Caldwell’s deft metaphors in Let’s Take the Long Way Home, I was struck by these remarkable lines by John Steinbeck from The Grapes of Wrath:  Can you live without the willow tree? Well, no, you can’t. The willow tree is you. The pain on the mattress there—that dreadful pain—that’s you. I sure didn’t remember that passage, and it makes me want to reread the novel, which also has—I do remember this—an amazing scene of several pages …

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