MFA

Review/Q&A: Alethea Black on ‘Lovely,’ faith & fiction, essays & cutting to bone

April 29, 2012 | 9 Comments

I can only speak for myself, but there’s something about writing at night that feels . . . sneaky. There’s an outlaw quality to it, combined, oddly enough, with a sense of being safe. It has an anaerobic, subterranean feel; it’s as if I’m working beneath the soil, toiling in secret, trying to cultivate something hidden and occult.—Alethea Black, “Essay to be Read at 3 a.m”  I Knew You’d Be Lovely by Alethea Black. Broadway Books, 238 pp. I read …

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Shirley Showalter, ubuntu & memoir

January 22, 2012 | 9 Comments

Become an observer of your own creative process. It will help you uncover where you “sing” and where your voice falls flat. When you lose track of time and are not thinking about yourself at all but rather about your purpose, your love for this world, your sheer amazement—that’s when you sing. The rest is just preparation. You might have to let it go and start over.—How to Write a Memoir by Shirley Hershey Showalter My best writing teachers over …

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One writing teacher’s plight

July 29, 2011 | 2 Comments

A short story writer, essayist, novelist, memoirist, editor, and writing workshop leader, Paulette Bates Alden has an impressive blog and web site.  Her wise essays on writing technique and aspects of memoir are stimulating and useful. Lately I’ve been enjoying her short story archives. “Enormously Valuable” is about Miriam, an adjunct writing teacher in Minneapolis at a middling state school and its branch campuses. A former Stegner Fellow at Stanford (like Alden herself), Miriam has published a well-reviewed short story …

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Q&A: Lisa Davis on a Mormon tragedy

May 4, 2011 | 3 Comments

The Sins of Brother Curtis: A Story of Betrayal, Conviction, and the Mormon Church by Lisa Davis. Scribner, 368 pages. I met Lisa Davis six years ago, in a creative nonfiction workshop at Goucher College, and I read her recently published The Sins of Brother Curtis first out of loyalty to a friend and then with increasing admiration for her work. Davis, a San Francisco journalist and a teacher at Santa Clara University, has painstakingly crafted a gripping narrative about …

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Q&A: Ira Sukrungruang

January 13, 2011 | 4 Comments

The writer discusses craft & his memoir Talk Thai. Following my review of Talk Thai: Adventures of Buddhist Boy, I emailed some questions to its author. Ira Sukrungruang responded with uncommonly helpful answers. He’s only thirty-four, but maybe that’s why: he’s been writing seriously since he was a senior in college and is still close enough to what he’s learned, his big breakthroughs, to help illuminate writing’s craft. Here are my questions and his answers: Q: On your blog you …

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Can journalism schools teach narrative?

October 17, 2010 | 6 Comments

Narrative nonfiction is risky; it has to be grabby, telling, and true. To bear analytical weight, it has to be almost frighteningly shrewd.—Jill Lepore, The New Yorker (September 6, 2010) What is journalism? How does one teach this thing you have so defined? I haven’t an answer to either question, but that places me in good company because I think most journalism schools haven’t had a clue, at least concerning the best way to educate their students as writers. With …

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Revise, then polish

October 25, 2009 | 2 Comments

“The writer who writes for revision does not wait for a final draft but works through a series of discovery, development, and clarification drafts until a significant meaning is found and made clear to the reader.”—Donald M. Murray, The Craft of Revision (Fifth Edition) Not many years ago, I was having dinner with a writer I admired, and when she mentioned having multiple versions of an essay I said, “You do? That surprises me.” “I’m surprised that you’re surprised,” she …

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