Persona, Voice, POV

Learning the blogging genre

July 17, 2013 | 14 Comments

At a writing conference recently, I ran into a friend I hadn’t seen in years, the author of many books. I was surprised at lunch when he began to lecture everyone at our table about the wrongness of the Iraq war. Talk about preaching to the choir—there probably wasn’t one soul at the confab who thought the war had been justified or who wasn’t sickened, at some level, by its tragic waste of blood and treasure.

I realized that my friend’s gauche presumption, inadvertently condescending whatever your view of the war, was inseparable from him as a writer. I saw that he’s an autodidact, which means a self-taught person. Someone who lectures himself about the truth he has come to. Which pretty much defines writers, however many teachers have helped them along the way. They’re seekers. But there’s in this autodidact condition an even darker root, didactic, which describes someone who lectures others.

In other words, I saw my own tendencies writ large. A strategy of much nonfiction writing, it seems to me, involves taking the curse off didacticism by witnessing about what’s true for you in the form of story. What I’ve just tried to do by telling a little story about my friend instead of saying didactically, Don’t lecture others.

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Reading my father’s book at last

June 10, 2013 | 16 Comments

My father got enthused about hydroponics—growing plants in sterile sand, gravel, or vermiculite and fed by liquid fertilizer—while serving during World War II in the Pacific, where the U.S. Army established several vegetable farms. Family lore has it that Dad was the first American to land an airplane in Tokyo after the war ended. He was twenty-six years old on August 28, 1945, when he flew in Major General Kenneth Wolfe, who had directed the start of the heavy bombing campaign against Japanese cities. Outside Tokyo, which had been devastated by subsequent firebombing, Dad witnessed the development of a vast hydroponics facility.

At Chofu the army built a glass greenhouse that covered 232,000 square feet—over five acres—more than twice as large as any in the world. U.S. Signal Corps photographs show a gleaming structure that stretched to the horizon in a series of peaked glass roofs. Workers seeded lettuce, tomatoes, and other crops into gravel beds periodically saturated with 75,000 gallons of liquid fertilizer. Other crops apparently were grown hydroponically outside the greenhouse in special beds.

Soldiers longed for fresh vegetables, but they were forbidden to eat local food, grown under centuries of “unsanitary and primitive fertilizing practices,” Dad writes in Success Without Soil: How to Grow Plants by Hydroponics. This allusion to the use of human excrement was in contrast to the hydroponic plants grown in “sterile gravel and pure water.” He adds, “I wish that those who are not yet convinced of the value of soil-less growing could see the harvests taken from those fifty-five acres of concrete.”

Dad saw an opportunity—this was modern farming. The future, in fact: all variables were under control.

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John McPhee on writer’s block

April 28, 2013 | 24 Comments

McPhee explains loving revision, I rename this blog Draft No. 4. If you lack confidence in setting one word after another and sense that you are stuck in a place from which you will never be set free, if you feel sure that you will never make it and were not cut out to do this, if your prose seems stillborn and you completely lack confidence, you must be a writer. —John McPhee Thursday night, I told my wife about my notion …

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Q&A with memoirist Liz Stephens

April 21, 2013 | 6 Comments

The Days are Gods author on braids, voice & earning your story. After reviewing The Days are Gods, I asked its author, Liz Stephens, for an interview, and she has kindly obliged. Stephens, Visiting Professor of Creative Writing at Glendale College, California, earned a PhD in creative nonfiction at Ohio University, where she served as managing editor of Brevity. You’re very reflective about your ongoing experience as the story moves forward—and it does move forward, The Days are Gods combining …

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Noted: Pico Iyer on voice

April 19, 2013 | 4 Comments

The paradox of persona—which you is speaking—devils nonfictionists. Especially memoirists and essayists, but apparently fiction writers, too, more than I’d supposed. From Pico Iyer’s superb April 11 “Voices Inside Their Head” column in The New York Times: At its core, writing is about cutting beneath every social expectation to get to the voice you have when no one is listening. It’s about finding something true, the voice that lies beneath all words. But the paradox of writing is that everyone at …

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Lee Martin: artists must risk failure

April 10, 2013 | 16 Comments

Celebrated novelist & memoirist discusses how he became an artist. In the beginner’s mind there are many possibilities; in the expert’s mind there are few. . . . This is also the real secret of the arts: always be a beginner. Be very very careful about this point.— Suzuki Roshi, Zen Mind, Beginner’s Mind I’m trying to learn from Lee Martin whenever and however I can, as a writer and teacher. I haven’t yet made it to his celebrated fiction—one of …

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Review: ‘The Days are Gods’

April 3, 2013 | 12 Comments

No one expects the days to be gods—Ralph Waldo Emerson The Days are Gods by Liz Stephens. Nebraska, 203 pp. Last week I got four memoirs in the mail and picked up the most celebrated. Bounced right off it. Next, I tried The Days are Gods by Liz Stephens and got hooked. That happened despite what seemed thin material: L.A.-Hollywood gal with roots in middle America sees middle age approaching, moves with her mate, an ex-actor-turned-welder, to rural Utah for …

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