punctuation

John Gardner’s killer sentence

April 22, 2012 | 5 Comments

I was reading the late novelist’s short story “Redemption,” based on the accidental death of his younger brother in a horrifying farming accident, and found its sentences beautifully crafted. John Gardner, at eleven, was driving a tractor when his brother fell under its towed cultipacker, a pair of giant rolling pins for mashing the clods in harrowed soil that weighed two tons. In the story, grief almost destroys the father, like Gardner’s father a dairyman, orator, and lay preacher; the …

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An ancient lesson in structure

September 15, 2011 | 11 Comments

A version of this post first ran October 3, 2008 The King James Bible’s stories and ancient words and lovely turns of phrase have influenced legions of writers. I’m charmed by its liberal use of sobering colons: like so. And by the nonsensical italics. And then there’s Jesus: talk about someone who works on multiple levels. He’s always getting thronged and spied upon—What’s he gonna do now?—and he delights in flummoxing. He speaks in riddles to the dumbfounded masses, though …

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Jen Knox defends ‘romantic’ semicolon; 25 ‘terrific novels’ for J-students

June 17, 2011 | 7 Comments

Jen Knox, a fiction writer and author of the memoir Musical Chairs, recently issued a nice defense of the semicolon on her blog: Kurt Vonnegut is famous for saying the following: “Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college.” Great quote, but total bullshit.  The semicolon is beautiful, the epitome of a soft pause that gives cadence to an …

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The semicolon: love it; or hate it

July 21, 2010 | 8 Comments

Learn to use the semicolon. Master it. And then never use it again.—Verlyn Klinkenborg, in a lecture to MFA students at Goucher College Kurt Vonnegut also hated the semicolon. Virginia Woolf was at the other end of the scale, of course, but when reading her I really want to replace some semicolons with colons or even dashes. (The Great Gatsby uses both semicolons and dashes beautifully; I’m not sure if it employs a colon.) Years ago, after leaving newspapers, where …

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Reading and re-reading pleasures

November 6, 2009 | No Comments

Doctorow’s great story, Ragtime, and its fine sentence rhythms. Ragtime: A Novel by E.L. Doctorow. Random House. 336 pages. I read Ragtime more than thirty years ago when it first appeared, and was impressed by its prose—which seemed like nothing I’d ever read and which was rumored to be in ragtime rhythm—and was gripped by its story. What strikes me now, having just reread it, is the spare beauty of its language and its narrative audacity. So, much the same. The bestseller …

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Rhythm & flow in works of prose

October 6, 2009 | 3 Comments

Varying length, structure of sentences fosters voice & musicality. Clarity is a high virtue, but so is beauty; and increasingly I see that it is from varying length and sentence structure that writers achieve voice, rhythm, emphasis, and musicality. Variation works because we naturally vary our speaking rhythm when we’re emotionally connected to what we’re saying: “He fouled me! That jerk! Coach! You’re always telling us This is just a scrimmage—we’re still on the same team—don’t get carried away. Didn’t  you …

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