religion & spirituality

The sentimentality tightrope

August 11, 2009 | 2 Comments

from Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg: “A responsibility of literature is to make people awake, present, alive. If the writer wanders, then the reader, too, will wander. The fly on the table might be part of the whole description of a restaurant. It might be appropriate to tell precisely the sandwich that it just walked over, but there is a fine line between precision and self-indulgence. “Stay on the side of precision; know your …

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A meditation upon ‘Infinite Jest’

June 28, 2009 | No Comments

This is a guest post by my son, Tom Gilbert, a college sophomore majoring in philosophy. David Foster Wallace expressed dissatisfaction with the reviews for his ambitious  Infinite Jest. The 1,104-page book is so expansive that any attempt at a plot synopsis is useless; any sweeping thematic summation seems to feel reductive.  However, the novel’s polyphonic structure and character voices are illuminating in its discussion. The novel bears numerous similarities to Dostoyevsky’s The Brothers Karamazov in its character relationships.  Instead …

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The art of listening

May 1, 2009 | No Comments

The Irish actor Gabriel Byrne was interviewed by Terry Gross of NPR’s Fresh Air about his portrayal of a psychotherapist on the HBO series In Treatment. The show has captured fans because of the inherent drama of diverse characters being guided to insights by a gifted, if flawed, therapist who is a world-class listener, observer, and interviewer. You can listen to the interview about listening here. “We hear sometimes but we don’t often really listen. Really truly profoundly listening is …

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Review: Griffith’s ‘A Good War’

April 28, 2009 | 2 Comments

A Good War is Hard to Find: The Art of Violence in America by David Griffith. Soft Skull Press. 189 pages. When Pilate said unto them, Why, what evil hath he done? And they cried out all the more exceedingly, Crucify him.—Mark 15:14 What America learned from World War II, after a billion people died and half the Earth was scorched, was to outlaw war on civilians (which works but at bestial cost) and to ban torture (because it’s ineffective, …

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Noted: Anne Lamott

March 28, 2009 | One Comment

from Bird by Bird: Some Instructions on Writing and Life: “I honestly think in order to be a writer, you have to learn to be reverent. If not, why are you writing? Why are you here?” “The conscious mind seems to block that feeling of oneness so we can function efficiently, maneuver in the world a little bit better, get our taxes done on time. But it’s even possible to have this feeling when you see—really see—a police officer, when …

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Dillard’s ‘For the Time Being’

January 26, 2009 | 6 Comments

In this audacious little book Annie Dillard ponders God, the holiness of newborns, and any individual’s insignificance in geologic time. Her prose is astringent, with wry appreciation for the brilliant and for the genuine among us; with a barely controlled horror at our dillard-for-the-timeanimal fates and our capacity for indifference and evil. She unfolds this meditation in discrete chunks; each of the book’s seven chapters is divided into segments.

Her prose is distilled, the reside of rigor. In the holy land she spies birds mate in the air and snails, for hours, in wet litter. A Palestinian boy pees his name in the sand behind a camel. She writes, “Under the camel a runnel moved over the dust like an adder.” In China she watches in the distance a man pulling a plow he’s harnessed to his body: “His feet trod his figure’s blue shadow, and the plow cut a long blue shadow in the field. He turned back as if to check the furrow, or as if he heard a call.”

Grounding her juxtapositions in the jaw-droppers we’re normally immune to—over eight million gene combinations occur in the creation of each of us; it takes a river one million years to move a grain of sand one hundred miles; there are nine galaxies for each person alive on earth, and each galaxy contains one hundred billion suns—in stories and in our own cast-off insights from age twelve onward, Dillard earns her flights and even her despair. Reared a Pittsburgh Scotch-Irish Presbyterian girl, she converted to Catholicism, taking refuge in the yeasty anonymity of the corporeal mass, then absorbed the Jewish mysticism explored here and finally called herself a “Hasidic Christian.”

In this book she wonders: just what kind of God are we dealing with, anyway?

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Between self and story

November 16, 2008 | 7 Comments

I encountered Papa’s warning in my teens, reading everything by and about him. When I went to work in newspapers after college, his phrase haunted at odd moments. I’d just knocked out my fourth police brief of a morning, say, and realized I had another to go—on an epidemic of car-battery thefts—and it was six minutes before deadline. Usually it was satisfying, working each little story like a jigsaw puzzle, selecting pieces culled from the police blotter. But was this what he meant?

A roundup of battery thefts doesn’t bring to life the widow, outsourced by the textile mill, turning her ignition key to silence in the Wal-Mart lot as plastic bags blow past. But it doesn’t intend to. Is there anything inherent in journalism (or nonfiction generally) that bars it from doing everything fiction might do with her story, including rendering her point of view?

Not theoretically, no. It’s thrilling to realize that. There are only practical difficulties, but admittedly brutal ones. You need her story and permission to use it; you have to get her to talk—in detail; and essentially she must let you enter her mind. The sheer work and trust involved in this process—call it reporting—is staggering. Talented immersion journalists succeed, but the difficulty may be one reason fiction has been a historic default for writers.

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