Citizen: An American Lyric conveys Claudia Rankine’s uneasy reality
Citizen: An American Lyric by Claudia Rankine. Graywolf Press, 160 pp.
How well I remember asking my friend Mike a stupid question. We were young reporters together. But there our similarity ended, for Mike’s skin was brown. He was the only person of color who worked at that newspaper. In fact, the entire town lacked racial diversity. One day I got marveling at Mike’s situation, imaging myself surrounded by and working only with members of another race.
“That’s got to be so weird,” I said. “Does it feel strange, Mike?”
I expected props for seeing his plight, but Mike gave me the most withering look I’d ever received. I was surprised, too, because at parties he mocked racial stereotypes by bringing fried chicken or lugging in watermelons. I was trying to be sensitive and insightful, but I put him on the spot with my cluelessness.
I thought of Mike reading Citizen: An American Lyric, Claudia Rankine’s short book, a long segmented essay-poem, on her experience as a person of color making her way in realms still mostly white. Citizen, Winner of the National Book Critics Circle Award in Poetry, proves that great literature doesn’t have to be hard reading. Except, in this case, emotionally. Rankine challenges white readers as she conveys the cognitive dissonance she lives with as an African American. For example, when her white friends slip and reveal their unconscious prejudice toward her or another member of her race. Or when she witnesses the barriers faced by tennis star Serena Williams. Or when she hears of a black person harmed by cops. Consider, when even people with white skin feel wary in dealings with police, what a cruiser’s appearance must feel like to black people.In this politicized moment, I couldn’t help but think, as well, of America’s public schools, which get attacked but remain crucial in fostering a happier diversity. If a person of color makes it to the corporate ladder, executives try to ensure her or his climb, realizing as a matter of common-sense policy that everyone who excels should get a shot at middle- or upper-middle-class success. Given that, I cannot understand many Republicans’ consistent antipathy toward public schools. On the one hand, they steadily undermine public schools, minorities’ proven path to success; on the other hand, many business leaders, probably mostly Republicans, reach out a hand to those few who somehow claw their way inside America’s skyscrapers.
Rankine has white friends, among them some who’ve trespassed, but is at the cutting edge herself—still—of the racial integration of America’s mainstream. Rankine knows the lie of racism and the truth of community. She knows the falsehood of superficial differences and the strength of diversity. She shows this in Citizen: An American Lyric through her experiences. Rankine’s uneasy emotional reality is conveyed by a wise, wry, and stoic persona. That’s quite an accomplishment in the face of human idiocy and structural injustice.