Content Tagged ‘Cynthia Newberry Martin’

A reader’s log

January 1, 2014 | 19 Comments

Choosing love, as person & writer

October 22, 2013 | 7 Comments

In my recent review of Blush: A Mennonite Girl Meets a Glittering World I noted how author Shirley Hershey Showalter wrote interestingly about her happy childhood for a wide audience, though she grew up in the specific, narrow, and intertwined agrarian and religious world of Mennonite rural Pennsylvania in the 1950s and ‘60s.

Her parents’ firstborn, she was heir not only to their accomplishments but also to their unrealized ambitions. Obviously a smart, positive, and attractive child, she also had her own gifts and desires to express. The result, set against the backdrop of the changes sweeping America and her church, provides more than enough tension for a good story.

Showalter explains in a short video about the book:

“The book’s title—Blush—refers to my discomfort in that place between the church and the world. It also means that I tried so hard to be sophisticated. It took me a long time to discover that God made me a feisty, curious, plain Mennonite farm girl for a reason. When I am vulnerable and wholehearted, I am much more aware of God and my community can come in and support me, even in times of conflict and pain and doubt.”

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4 writers on their messy process

October 4, 2011 | 8 Comments

Bill Roorbach has instituted a new feature over at Bill and Dave’s Cocktail Hour, an author interview. The first, with John J. Clayton, marking the appearance of his new novel, Mitzvah Man, is remarkable for being done all in scene—Bill interviewed him at his home in Wellfleet, Massachusetts—and for Clayton’s thoughts on just what God truly is. Or may be. On his laborious daily struggle to write:  I do what I can to avoid writing fiction, because writing fiction is …

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Revising, from the top

July 13, 2011 | 10 Comments

Last summer, in Italy, I stood gaping before Michelangelo’s David and reflexively took a photo—no flash, but forgetting that all tourists’ photos of him are banned—and got chastised. Supposedly Michelangelo said he made the immortal statue by just chipping away what didn’t look like David. I’ve thought of writing as having to first create a block of marble, then pounding it into a narrative. Which must be an evident metaphor, because Bill Roorbach mentioned it in his blog’s recent advice …

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